SUPERHUMANITY TALKS at e-flux

Lucia Allais is an architectural historian who writes about design, politics, and technology in the modern period and on the global stage. Her first book, Designs of Destruction: the Making of Monuments in the Twentieth Century, was published by the University of Chicago Press in 2018. She has written numerous articles about the history of architectural knowledge, including “The Real and the Theoretical, 1968” and “Rendering: On Experience and Experiments.” Most recently, she co-authored, with Forrest Meggers, a critical history of the carbonation equation for reinforced concrete, titled “Concrete is 100 years Old.” Allais is Associate Professor of Architecture at Columbia University, the Director of the Temple Hoyne Buell Center for the Study of American Architecture, a member of the Aggregate Architectural History Collaborative, and an editor of the journal Grey Room.

Rubén Gallo teaches at Princeton University and is author of Freud’s Mexico (MIT Press, 2010) and Proust’s Latin Americans (Johns Hopkins University Press, 2014).

Brooke Holmes is Susan Dod Brown Professor of Classics at Princeton University.

Andrés Jaque is the founder of the Office for Political Innovation, a Madrid/New York based practice that brings inclusivity into daily life through architecture.

Lydia Kallipoliti is an Assistant Professor of Architecture at The Cooper Union in New York and the author of The Architecture of Closed Worlds (2018). She is the principal of ANAcycle thinktank.

Spyros Papapetros is Associate Professor of History and Theory in the School of Architecture and the Program in Media and Modernity at Princeton University.

Martha Rosler utilizes various media in her work, primarily video and photography, and also installation and sculpture; she also writes about art and culture. Her work has for decades considered matters of the public sphere and mass culture; war and geopolitical conflict; housing, urbanism, and the built environment, and systems of transportation—especially as these affect women. Many of her projects have been extrainstitutional or developed and enacted with groups of people. Rosler sees her work, her teaching, and her writing as continuations of a broader engagement with the currents of cultural critique and social and political change. Her work may best be summed up as both a conceptual art and an activist practice—focused on questions of representational form but joined, however uneasily, to a commitment to political agitation. Video, which she adopted in its infancy, presented itself as at the crossroads of both. Rosler spent the 1970s in California and Canada. In 1980, she returned to her native Brooklyn, where she lives and works.

Mabel O. Wilson is an architectural designer and cultural historian. She has authored Begin with the Past: Building the National Museum of African American History and Culture (2016) and Negro Building: African Americans in the World of Fairs and Museums (2012). At Columbia University she is a Professor of Architecture, a co-director of Global Africa Lab and the Associate Director at the Institute for Research in African American Studies. She’s a founding member of Who Builds Your Architecture? (WBYA?) a collective that advocates for fair labor practices on building sites worldwide.

Beatriz Colomina is an architecture historian, theorist, and curator. She is the founding director of the Program in Media and Modernity at Princeton University, the Howard Crosby Butler Professor of the History of Architecture, and Director of Graduate studies in the School of Architecture.

Nick Axel is an architect, editor, educator, and curator. He is Deputy Editor of e-flux Architecture and Head of the Architectural Design department at the Gerrit Rietveld Academie.

Anton Vidokle is an editor of e-flux journal and chief curator of the 14th Shanghai Biennale: Cosmos Cinema.

Mark Wigley is Professor and Dean Emeritus at Columbia GSAPP. His most recent book is Konrad Wachsmann’s Television: Post-Architectural Transmissions (Sternberg Press, 2020).