We are conditioned, even neurologically impaired, by what modernity does to us. But we are not determined by it; we can find other ways to rewire ourselves. This rewiring is a collective process; there’s no way an individual can do it alone.

This text might be framed as an offering, an attempt at releasing latent animist lines of possibility for what late twentieth-century works like Bronze Head might do for us in our current climate of rising anti-queer sentiment, on the African continent and elsewhere.

If many in the West today have the sense that the world is coming to an end, it is very much their world that is ending; other worlds were invaded and ripped apart long ago, yet the peoples in question refused to disappear—or, as with the Creole populations of the Caribbean, they became an unprecedented people spanning several aboriginal pasts, the long present of (neo)colonialism, and uncertain futures. Meanwhile the extractivist machine keeps accelerating—even amidst the symptoms of planetary collapse. The million-dollar question—to use an inappropriate metaphor—is to what extent contemporary forms of asymmetrical schismogenesis can maintain or produce forms of life in opposition to financialized and racialized capitalism.