Only the living can visit the dead, not the other way around. We’re there when George Washington buys a slave. We’re there when a tree bears strange fruit. We’re there in the gas chambers, or when Winston Churchill starves to death millions of Indians. And as we in the present are in the past, we are also haunted by those in the future, those not yet born.

Of course, “Litcoin” crashes and everyone in South Side is left with nothing. Odom, the amateur astronomer, is depressed by the lost opportunity to purchase a powerful telescope. A rare comet is making its way around the solar system and he wants to see it. But he is broke again. At this point, the show makes a leap into the cosmic. All along, and all around the South Side, they have been surrounded by the cosmic. It can only be accessed by a form of wonder (thaumazein) that Hannah Arendt described in her book The Promise of Politics.

If we begin with the understanding that police protect property and their owners, we can expect this to be its primary consequence: those who have very little property in a community are bound to experience a frequency of bad encounters with law enforcement that is much higher than those who have a lot of property. And so it is. What we find in the US, the world’s top ownership society for the past hundred years, is a vast jail, prison, and parole system filled with men and women who do not own much of anything. From this fact, which links poverty to the business of policing, we also find an explanation for the overrepresentation of black Americans (who make up about 13 percent of the general population) in the US’s state prisons (they make up 40 percent of the penal population).

With the assistance of a brilliant Wakandan engineer (let’s say T’Challa’s sister Shuri), one entrepreneur develops a process that can manufacture two spears in one hour. This advancement will shake up the whole spear industry because this entrepreneur can do in one hour what the others do in two. This advantage and its market consequences has a name. It’s called relative surplus value. What happens next? The factory that makes two spears in one hour moves forward in time; that is where the extra value is. It moves toward a society that has yet to exist. This society does not have as yet its culturally necessary labor time set to two spears in one hour. This factory is then, for a moment, the future of its culture. But eventually, the other spear entrepreneurs figure out how to make two spears in one hour, and so two spears in one hour becomes the new culturally necessary labor time. Then one day, an entrepreneur applies some science to spear production. This new kind of spear can fire beams of concentrated energy. All the warriors want this spear. The market is shaken up again. For a time, the entrepreneur enjoys relative surplus value, but from the consumer end of the market.

Continued from “ Neoliberalism and the New Afro-Pessimism: Djibril Diop Mambéty’s Hyènes ” Let’s return to this galaxy, this solar system, this planet—indeed, the continent, Africa, that gave birth to an animal that can reflect on planets, solar systems, galaxies, and even the possibility of multi-verses. The movie is The Pirogue . It’s directed by Moussa Touré. It begins in Senegal, and has a young fisherman, Baye Laye (played by Souleymane Seye Ndiaye), as its central character….

We are done. I’m not speaking only about us here in Africa but of humanity, of man. We have sold our soul too cheaply. The feeling I have is that we are done for if we have traded our souls for money. —Djibril Diop Mambéty Senegal’s second greatest director, Djibril Diop Mambéty, only made two features. The country’s greatest director, Ousmane Sembène, made eight. Mambéty was born in 1945, Sembène in 1923. Mambéty lived for only fifty-three years, Sembène for eighty-four. It…